Looked good so I picked it up.
Stats: Audio book is 17 discs, it doesn’t tell me the hours (a lot). Read by Treat Williams, Anne Heche “and a full cast.” Print book is 565 pages, published in 2010.
Blurb: Psychiatrist Andrew Marlowe, devoted to his profession and the painting hobby he loves, has a solitary but ordered life. When renowned painter Robert Oliver attacks a canvas in the National Gallery of Art and becomes his patient, Marlow finds that order destroyed. Desperate to understand the secret that torments the genius, he embarks on a journey that leads him into the lives of the women closest to Oliver and a tragedy at the heart of French Impressionism.
What I liked: The question behind Robert Oliver’s action in the beginning is well hid, along with the connection of the people around him to this man. The information is doled out slowly. I like how the artwork is an integral part of the story, so much so that I wanted to see it for real. Alas, this is fiction. I imagine some of the artists she mentions in the Washington’s National Gallery are real, so I’ll have to try and find those. The surprise at the end was good. I was expecting something else, of course. The narrators did a fine job.
What I didn’t like: As I mentioned, the information about Robert Oliver is doled out slowly, too slowly at times. And other information is not needed, like stuff about Mary, who is connected to Robert (I won’t say how so as not to give anything away). Kostova tells of Mary’s childhood and life as she grew up, something that really didn’t add anything to the main story, in my opinion. Then there is the question of why doesn’t Robert speak? It’s never really shared and it is the only way the story can be told as it is. And it’s not to realistic to believe his psychiatrist would travel to Jamaica (I think that’s where he went) and France just to find out the mystery, whether it’s for his own curiosity or for his patient, or for both. And low and behold – they find the missing information! Really?! But these things are not enough of a problem to make the story a problem to read.